Keynote abstracts - Click here
Download PDF: ProgrammeSysMus09.pdf
(See the SysMus09 Map - http://tinyurl.com/sysmus09map - for the venues)
18 November
09:00 - 10:00 Registration09:00 - 10:20 Paper Session 1
Where: De Bijloke Music Center
10:20 - 11:00 Coffee Break
Where: De Bijloke Music Center
11:00 - 12:30 Keynote: Ian Cross
Where: De Bijloke Music Center
12:30 - 14:00 Lunch 2
Where: Restaurant De Brug
14:00 - 15:30 Paper Session 2
Where: De Bijloke Music Center
15:30 - 16:30 Coffee Break
Where: De Bijloke Music Center
16:30 - 17:30 Paper Session 3
Where: De Bijloke Music Center
18:00 - 20:00 Social Dinner
Where: Restaurant t'Vosken
20:00 - 22:00 Concert: Masters of Persian Music Hossein Omoumi & Madjid Khaladj
Where: De Bijloke Music Center
09:00 - 10:30 Paper Session 4
Where: De Bijloke Music Center
10:20 - 11:00 Coffee Break
Where: De Bijloke Music Center
11:00 - 12:00 Workshop "fMRI and music"
Where: De Bijloke Music Center
12:00 - 13:30 Lunch 3
Where: Restaurant De Brug
13:30 - 14:00 Bijloke guided visit
Where: De Bijloke Music Center
14:00 - 15:30 Debate
Where: De Bijloke Music Center
15:30 - 16:30 Coffee Break
Where: De Bijloke Music Center
16:30 - 17:30 Paper Session 5
Where: De Bijloke Music Center
17:30 - 18:30 Forum - Closing
Where: De Bijloke Music Center
18:30 - 22:00 Free time
Where: Anywhere
22:00 - 24:00 Party
Where: Afkkiker
Chairs: Manuela Marin and Leen de Bruyn
The influence of the meaning of lyrics on the expressed emotion of music valence
- Kazuma Mori
Music’s Golden Section – An Empirical Approach
- Michelle Phillips
The acoustic consequences of movement restraint on six professional western contemporary popular singers
- Gemma Turner and Dianna T. Kenny
Postmodernism and Musicology – A Methodical Misunderestimation
- Jan Giffhorn
Chairs: Ian Cross and Dirk Moelants
Peruvian orchestral music 1945–2005. Identities in diversity
- Clara Petrozzi
Pop, Sampling and Postmodernism: The Case of Radiohead’s Idioteque
- Nina Jukić
Experimental music in England in the late 1960s and early 1970s: the aesthetics of political and social conscience
- Settimio Palermo
The well-tempered reverberator: an instrument for composing rooms intuitively
- Berit Janssen
Chairs: Mark Reybrouck and Leon van Noorden
The Occurrence of Music Performance Anxiety in Early Childhood
- Helene Boucher
Learning in a Musical Child-Computer Interaction – An approach in Embodied Cognitive Science of Music
- Julia Wewers
Chaos and complexity in musical development?
- Manuela Marin
Chairs: Marc Leman and Marcelo Wanderley
Expan: a tool for musical expressiveness analysis.
- Davi Mota, Thiago Campolina and Maurício Loureiro
Wave Field Synthesis by an Octupole Speaker System
- Tim Ziemer
Sound Amplification Technology and the Acousmatic Experience
- Jos Mulder
Sonification of a Quantum Mechanical System inspired by a Quantum Computation Model
- Anna Saranti, David Pirro and Gerhard Eckel
Chairs: Leon van Noorden and Dirk Moelants
Towards Human-Machine Sonic Interactions: Mapping Human Dance Gestures onto Robots
- João Lobato Oliveira, Luiz Naveda, Fabien Gouyon and Luis Paulo Reis
Marching to the same beat: entrainment and persuasion
- Sarah Knight
Rock to the Music: Theory Exploration and Electroencephalography (EEG) Investigation
- Li-ching Wang and Chen-gia Tsai